Mike Chasen of the Poetry and Popular Culture blog interviewed the exhibit’s main organizer, Prof. Nadia Nurhussein of the University of Massachusetts, Boston. Among other things, she discussed one of the poems commemorating the Revolution:
Another interesting scrapbook, elaborately bound and formally titled Lexington, Concord and Bunker Hill 1775-1875, was compiled by Mellen Chamberlain, a 19th-century BPL librarian. As the title suggests, he was interested in collecting material related to Revolutionary War battles, including poetic treatments of these battles by Holmes, Whittier, and Emerson.Indeed, the “Concord Hymn” was written to fit the psalm tune “The Old Hundred,” and meant to be sung in chorus. Almost everybody knew the tune already, but they needed the new words.
We are displaying a fair copy of [Ralph Waldo] Emerson’s “Concord Hymn,” accompanied by a letter by Chamberlain explaining how he came into possession of the manuscript. He writes that Mrs. Charles Porter, Emerson’s cousin, offered to “prevail upon Mr Emerson to transcribe his battle hymn into the volume” if Chamberlain would travel with her to Concord. Chamberlain also notes that Emerson, whose “health was considerably broken,” died soon after.
P&PC: What do you mean by occasional verse? Does “Concord Hymn” qualify?
NN: “Concord Hymn” does qualify as occasional verse: it was written and performed at the dedication of an obelisk erected to commemorate the battles at Lexington and Concord. The Mellen Chamberlain manuscript is in the scrapbook case, but the occasional verse case includes a print copy of the poem (donated to the library by the family of William Lloyd Garrison) that was circulated at the event apparently for the purpose of audience participation.
(Photo of people gathered at the Concord obelisk above courtesy of jshyun, via Flickr under a Creative Commons license.)
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